In her representations of merging colours, her photograms, entitled Folds, record the artist's labour within the remnants of the folding process. In doing so, and subsequently exposing pieces of photographic paper in complete darkness; the paper then gets flattened during the development process. The sculptural state of the paper in its folded form exists momentarily in its production, however is never fully visible after completion. In this way, one can merely perceive its once-sharp edges and three-dimensional form.